Branding

Branding

Wall Mural Design & Brand Collateral

Wall Mural Design & Brand Collateral

Wall Mural Design & Brand Collateral

Blending a globally recognised brand with the local spirit of Dhaka

Overview

Overview

Overview

Getting Started at Uber

Getting Started at Uber

Getting Started at Uber

In early 2018, shortly after completing a business degree in Marketing, I secured a contract design role at Uber following three rounds of interviews. Though initially nervous, I was eager to contribute to a globally recognised brand.

My key assignment was a high-visibility branding project: designing an official wall mural that would also serve as a visual asset for local marketing and brand expansion. This opportunity pushed me to think critically about long-term application, cultural relevance, strategic alignment, and creative execution.

In early 2018, shortly after completing a business degree in Marketing, I secured a contract design role at Uber following three rounds of interviews. Though initially nervous, I was eager to contribute to a globally recognised brand.

My key assignment was a high-visibility branding project: designing an official wall mural that would also serve as a visual asset for local marketing and brand expansion. This opportunity pushed me to think critically about long-term application, cultural relevance, strategic alignment, and creative execution.

In early 2018, shortly after completing a business degree in Marketing, I secured a contract design role at Uber following three rounds of interviews. Though initially nervous, I was eager to contribute to a globally recognised brand.

My key assignment was a high-visibility branding project: designing an official wall mural that would also serve as a visual asset for local marketing and brand expansion. This opportunity pushed me to think critically about long-term application, cultural relevance, strategic alignment, and creative execution.

Concept

Concept

Concept

Presenting chaos and culture through minimalism

Presenting chaos and culture through minimalism

Presenting chaos and culture through minimalism

Representing the city I grew up in, through Uber’s minimalist design language was a challenge from the outset, because Dhaka is anything but minimal. It’s a city full of contrasts: loud and chaotic, yet deeply warm and culturally rich.

Example of Uber's design language used as reference

Example of Uber's design language used as reference

The view of the city from an Uber

The view of the city from an Uber

The view of the city from an Uber

One of the key factors that the mural needed to have was relatability. To ensure that factor, we conducted an internal survey among the local work force, to determine a list of iconic elements that defines Dhaka to be a part of the mood board.

Below are some of the icons that made it to the final design.

One of the key factors that the mural needed to have was relatability. It needed to resonate with anyone who loves Dhaka, as soon as they saw the mural.

To ensure that, we conducted an internal survey among the local work force, to determine a list of iconic elements that defines Dhaka. At the end, we finalised to the following icons to be a part of the mural.

Ideation/Concepts

Ideation/Concepts

Ideation/Concepts

The next challenge was to sketch the chosen elements in to Uber's global branding aesthetic. By focusing on the key aesthetic aspects of the elements, they began showing up through the minimalistic lines.

Process

Process

Process

The grid that kept it all together

The grid that kept it all together

The grid that kept it all together

The wall stood beside a full-glass wall which brought in natural sunlight during the day. It was directly to the left, as soon as someone walked in through the office main entrance. The wall would be unavoidable by someone passing through the office or about to leave the office.

The lines would need to be bold enough to be noticeable from a distance, but not too bold to become too distracting.

I imagined a bento-box grid system to place all the elements together.

Building a city, one line at a time

Building a city, one line at a time

Building a city, one line at a time

The next challenge was to sketch the chosen elements in to Uber's global branding aesthetic. By focusing on the key aesthetic aspects of the elements, they began showing up through the minimalistic lines.

The Mural

The Mural

The Mural

Bringing it to life

Bringing it to life

Bringing it to life

After weeks of sketching, refining, and aligning every detail with purpose, the mural came together as a complete story. Each element contributing to a cohesive, culturally rooted visual identity.

Swag

Swag

Swag

Extending the Story

Extending the Story

Extending the Story

To bring the mural beyond the wall, I adapted key elements into swag designs—creating apparel that carried Dhaka’s energy in a clean, brand aligned style. I also developed an animated version of the mural to bring motion into future digital touch points and internal assets.

Feedback

Feedback

Feedback

Three Years On

Three Years On

Three Years On

Years later, the mural still sparks conversation. In a recent social media post revisiting Uber Dhaka’s office, comments rolled in praising the artwork’s cultural depth and timeless design. It was a rewarding reminder of the lasting impact thoughtful, locally rooted design can have.

Reflection

Reflection

Reflection

Looking back…

Looking back…

Looking back…

This project taught me how to balance cultural storytelling with global brand systems. It challenged me to think beyond aesthetics and intregating visibility, context, longevity, and emotion. Most importantly, it reminded me that the most meaningful design often comes from a place of personal connection.